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东北渔猎文化是该区域内民众在生产、生活实践中所创造的，与渔猎有关的物质文化和精神文化的总称。本文主要对东北渔猎文化已有的研究成果作简要回顾，同时分析东北渔猎文化形成、发展的自然环境和人文环境，并对东北地区渔猎文化特征作简要介绍。

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CommonID:DIR_70412235,ID:13192368,SiteID:14,Type:chapter,Code:null,ParentId:0,InnerCode:626224,name:第一章 文化源流,ShortName:,SubName:,EnTitle:,EnShortTitle:,EnSubTitle:,Level:0,BookId:10118487,AbstractCH:

东北渔猎文化源远流长，上溯远古，下延当代，前后以万年计。东北渔猎文化大致经历了格局初创、鼎盛发展、拓展转型、步入衰微四个主要发展阶段，积淀下了较为丰厚的物质及精神财富。本文主要从东北地区的生产方式、出土的图腾和器物、馆藏文献以及地方志来考察东北渔猎文化发展的四个阶段。

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夏商以降，东北大致形成了肃慎、秽貊、东胡、华夏四大族系共处的局面。自此，东北渔猎文化正式步入“四大族系时代”。其间，各族群轮番登场，递嬗更替，谱写了东北渔猎文化中的重要篇章。本文以各族系始末、生产模式、文化特色三个方面来介绍东北地区的族系文化。

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东北渔猎文化中的帝王色彩颇浓，在东北这片沃土上，曾孕育了一批勇为人先、能为人先的民族精英。本文以后燕冶游、辽主捺钵、清帝东巡三个有代表性的群体；皇家群体为渔猎活动特设的行宫牙帐、衙署公廨以及捕猎专区等机构；皇家为庙坛进献指定的东北野生动物如隼鹿禽兽、鳇鱼、貂鼠皮毛等特色贡品三个方面来突出东北渔猎文化中极具特色的皇家渔猎文化。由此表现东北渔猎文化异于寻常的风格面貌。

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本文主要以各类走兽、诸种飞禽、各色水产等渔猎对象；狩猎工具、渔捞工具等渔猎工具；主题绘画、语言文字、音乐歌舞等渔猎艺术；与万物有灵、先祖崇祀、因缘果报的渔猎思想来对东北古今渔猎资源进行提纲挈领的介绍。渔猎对象是东北渔猎文化以何种面貌展现的物质基础，渔猎工具及渔猎方法是东北渔猎文化展现何种面貌的基本途径。这其中，以渔猎资源的丰富、渔猎技术的进步、艺术及思想等精神层面的拓展，真正标志着东北渔猎文化已然达到的高度。

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东北现存著名渔猎文化遗址，大都属于史前时代，其中较有代表性的有180余处。就整体而言，这些文化遗存，数量丰富，分布规律，内涵丰富，是东北渔猎文化的根基和标志。本文撷取旧石器时代的庙后山遗址、金牛山遗址、鸽子洞遗址、小孤山遗址和新石器时代的兴隆洼文化、赵宝沟文化、红山文化、新开流遗址、昂昂溪遗址、新乐遗址下层、小珠山遗址等十余处遗址，略述始末。并简要介绍东北地区渔猎文化遗址的空间分布情况

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渔猎文化曾是东北地域文化意蕴尤其丰富的构成，是东北地域文明中色彩尤其斑斓的篇章。但这些在20世纪以后都已渐成往事。“西方文明”造成的生态失衡由幽幽隐患变成切肤之痛，“工具理性”所触发的文化反思由精英理论变成国民自觉，本文以新的时代和新的文化背景来展望东北渔猎文化的新方向，把握全面保护、潜心传承、科学开发东北渔猎文化的价值和意义。

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东北渔猎文化是不同渊源、风格、部类的文化要素在特定时代、生态及人文环境下的融合和积淀。首先，就文化历程而言，东北渔猎文化历史悠久，发展历程特征鲜明。其次，就文化形成而言，东北渔猎文化在形成过程中的一个显著特征是“农进我退，农退我进；绝对分散，相对集中”。最后，就文化传承而言，辉煌灿烂的东北渔猎文化需要继续传承。但是，今非昔比，如何传承，不仅是复杂的理论问题，更是严肃的现实问题。

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